Sunday, April 14, 2013

Discharge recommended for Navy officer in Conn.

In this Aug. 3, 2012 photo provided by the U.S. Navy, Cmdr. Michael P. Ward II, center, is saluted during the change-of-command ceremony for the nuclear submarine USS Pittsburgh at the Naval Submarine Base New London, in Groton, Conn. Ward was relieved of his command in August 2012 after he faked his own death to end an affair with a woman. Ward's lawyer said Friday, April 12, 2013, during a hearing in Groton to determine his status with the Navy, that Ward admits to the mistake and apologizes, and that he should not be expelled from the Navy. (AP Photo/U.S. Navy, Jason J. Perry )

In this Aug. 3, 2012 photo provided by the U.S. Navy, Cmdr. Michael P. Ward II, center, is saluted during the change-of-command ceremony for the nuclear submarine USS Pittsburgh at the Naval Submarine Base New London, in Groton, Conn. Ward was relieved of his command in August 2012 after he faked his own death to end an affair with a woman. Ward's lawyer said Friday, April 12, 2013, during a hearing in Groton to determine his status with the Navy, that Ward admits to the mistake and apologizes, and that he should not be expelled from the Navy. (AP Photo/U.S. Navy, Jason J. Perry )

(AP) ? A former submarine commander who faked his death to end an extramarital affair should be honorably discharged from the Navy, a panel of officers recommended Friday after a daylong hearing in which the officer said he accepted "full and total accountability" for his behavior.

Cmdr. Michael P. Ward II, a married 43-year-old, sent his mistress in Virginia an email in July posing as a fictitious co-worker named Bob and saying Ward had died unexpectedly. Ward was relieved of his duties aboard the USS Pittsburgh in August a week after he'd taken command and has received a letter of reprimand for adultery and other military violations.

After testimony from Ward's former superior officers, colleagues and shipmates, Ward, in his dress blues, acknowledged to the panel that he had had an affair and sent the bogus email to the woman in an effort to end it.

"The reason I did it was to sever the relationship," he said, "but the choice was ridiculous."

He apologized to the Navy and the sailors who served under him.

The three-officer board of inquiry recommended Ward retain his rank upon being discharged. Its decision goes to the secretary of the Navy for approval within 90 days.

During the hearing, at Naval Submarine Base New London, the government countered that Ward discredited the Navy and that his removal put a strain on the fleet because officers had to be shuffled around to cover his removal.

"Commander Ward's actions show a complete lack of honesty, character and integrity," said Navy Lt. Griffin Farris, acting as prosecutor at the hearing.

Ward said he accepted responsibility for his actions and would regret them all his life, adding that he was grateful to his wife for standing by him.

"I want to apologize directly to my wife for the hurt and harm and humiliation I have caused her," he said as she sat in the front row, her eyes red. "I accept full and total accountability for my actions."

Still, the Navy shouldn't throw away Ward's talent and training, said high-ranking officers with whom he has served. They said he made an awful mistake and was a fast-rising, hardworking officer.

Before moving to Connecticut, Ward served on the Joint Chiefs of Staff, where he used his nuclear expertise to provide daily briefings to the chairman as the Fukushima disaster unfolded following the earthquake in Japan. Navy Capt. Lawrence Vincent, who worked with Ward in Washington, said he would serve with again and the handling of the affair struck him as out of character.

"With Mike Ward, it was a true shock," Vincent said.

Ward was honest with his chain of command from the beginning, his lawyer said.

"This man probably would have been an admiral someday, and he's brought shame on himself, and he knows that," said Navy Cmdr. Daniel Cimmino, representing Ward.

But a senior enlisted sailor from the USS Pittsburgh told the panel that Ward at first denied the accusations.

The sailor, Master Chief Chris Beauprez, said he received a call on the submarine from a sister of Ward's girlfriend, who told him what Ward had done.

Beauprez said he told Ward about the call and Ward denied the woman's allegations, then said he'd address the situation himself. Beauprez testified that he had an implicit trust in what his commander said so he didn't take the matter any further.

Days later, he said, he heard Ward was being dismissed.

A fellow Navy officer who had gone through training with Ward, Cmdr. Anthony Moore, testified that he heard about the affair, including the detail that Ward had used the name Tony Moore in an online dating profile that he used to meet the woman, when news of it first surfaced.

"I was very surprised," Moore, who's based on a submarine squadron in Washington state, told the board by telephone. "And frankly, I was a little concerned for my reputation."

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/3d281c11a96b4ad082fe88aa0db04305/Article_2013-04-12-Submarine%20Commander%20Removed/id-f835b6cce2824507b5018ca06be2c9cd

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Saturday, April 13, 2013

Director William Friedkin on Clashes With Pacino, Hackman and Why an Atheist Couldn't Helm ''Exorcist''

By Brent Lang

LOS ANGLES (TheWrap.com) - Few filmmakers have reached the professional heights or the career depths of William Friedkin.

In the mid-1970s, he was the toast of the movie business, picking up an Oscar for "The French Connection" and topping box office charts with the blockbuster "The Exorcist." By the end of the decade, he had washed out in spectacular fashion.

"Sorcerer," his big-budget remake of the French classic "The Wages of Fear," cost a then unheard of sum of $22 million to make, and grossed roughly half of its production budget. It had the misfortune to hit movie theaters at the same time that "Star Wars" was electrifying audiences and is often cited as an end point in the kind of personal and challenging material that characterized the best of 1970s moviemaking.

Friedkin recounts his own Icarus story with candor and grace in his new memoir "The Friedkin Connection," which hits stores on April 16. The director is engaging company, taking readers through a Hollywood that for a brief moment believed that art and commerce could mix.

At the same time, he is unflinching in depicting his own hubris and his struggles to adjust to life off the A-list. To be sure, Friedkin remains active, directing last year's "Killer Joe" with Matthew McConaughey. He also has managed to direct other near-masterpieces, such as 1985's galvanizing "To Live and Die in L.A.," since those heady "Exorcist" days.

His story, however, is a reminder that while great talents blaze brilliantly, their flame can be snuffed out quickly.

Friedkin spoke with TheWrap about the ups and downs of his life in Hollywood and reflected on the state of the modern movie business.

I don't consider 'The Exorcist' a horror film and I never spoke about it as such. It's based on an actual case that has such incredible mystery and power and not just for people who believe in Catholicism.

I was extremely fortunate in the cast, because they became almost inseparable from their roles. Linda Blair, Jason Miller, Ellen Burstyn, who was by no means the studio's first, second or third or fifth choice, all came together and gelled and were sensational.

It's going to come back theatrically this year. We'll have the first screening at the Smithsonian and there will be a Blu-ray release with an hour and a half of new extras.

Do you think someone who was a religious skeptic could have directed "The Exorcist"?

I think somebody who was an avowed atheist should not have directed the film. My personal beliefs are defined as agnostic. I'm someone who believes that the power of God and the soul are unknowable, but that anybody who says there is no God is not being honest about the mystery of fate. I was raised in the Jewish faith, but I strongly believe in the teachings of Jesus.

You're very hard on yourself in your book and you write candidly about your own arrogance and film failures. Was that difficult?

When I agreed to do this book, I decided to be as honest as I could within the confines of my memory. I had no notes, so this is a book that was written from memory, although I interviewed a few people I worked with to get their takes on stuff we did together. But I wanted to write the truth as I recalled it, and only remove a lot of the personal and social stuff, so I could write a professional memoir.

After an astounding run of early hits like "The Exorcist" and "The French Connection," your career went off track. Do you think it's time for a critical reevaluation of certain films you did that may not have been hits with audiences or reviewers?

I really don't live by what the critics write, although I was aware of the critical reception of all of my films. My own take on the films I've made is based on what I achieved versus what I set out to do. Take some of the films failures of their day - "Citizen Kane," "Vertigo" - most of those films are now considered masterpieces.

"Sorcerer," your 1977 remake of "Wages of Fear," was such a big flop that it almost ruined your career. What happened?

The zeitgeist had changed by the time it came out. It came out at the time of "Star Wars," and that more than any film that I can recall really captured the zeitgeist. I was offered the opportunity to produce it early, and I didn't see it, but "Star Wars" went on to change everything we've seen since. I don't think any filmmaker in history has had more of an effect than Lucas.

What about "Cruising?" That film was extremely controversial when it came out in 1980 for its depiction of a serial killer praying on gay clubgoers. Were the charges of homophobia fair?

"Cruising" came out before the AIDS virus, but at a time that the gay community had made enormous strides. There had been the Stonewall riots a couple of years before. So this was not the best foot forward for the gay rights movement, but I never intended the film to be critical of gays. I just thought the S&M world would make a good backdrop for a murder mystery, but I did not in any way mean for it to reflect the gay lifestyle. I understood at the time that people who were trying to achieve gay rights were not going to appreciate such a tough picture. It's still very tough, very hard edged and ambiguous.

You clashed with the star of the film, Al Pacino. Have you reconciled?

I have not seen him a lot. We never moved in the same circles. I wanted Richard Gere for the role. Having seen the film at special screenings, I've come to realize is still pretty damn effective in it, but he gave me a rough time for reasons other than the normal actor-director relationship. He wasn't on time and often didn't know what we were doing on a particular day.

You also struggled with Gene Hackman in "The French Connection." What was the root of that conflict?

I put Gene in a ride around with Eddie Egan to see how he worked, and Hackman came away with a negative feeling about him that he could not reflect in the movie. He had to play Egan without comment, but he thought he was the worst villain in history, and struggled to play him without judging him. A lot of the way Egan operated in the street disturbed Hackman, because he thought Eddie was a racist.

Ultimately, Hackman got it, but I had a strained relationship with Gene. The important thing is he gave a damn good performance even though we had a rocky time of it.

You have now adapted two of Tracy Letts' plays for film, first "Bug" in 2006 and then "Killer Joe" in 2012. What appeals to you about his writing?

He is this generation's Tennessee Williams. He captures a certain region's way of life and the stuff he writes just comes from somewhere unexpected and completely original.

How have films changed since you broke into Hollywood in the 1970s?

When I started there was more opportunities to make films about different subject matters and not everything needed to be a blockbuster. Studios knew how to keep costs down, and I don't think it's that way today. Now Hollywood throws money at the screen and hopes that will do it.

They're making these expensive tentpole pictures, but the important things like character and story get lost in the shuffle. At the same time, the independent film world has grown, because when I started it was Cassavetes almost out there alone.

Have you seen anything lately that gives you hope that there are still filmmakers sensitive to character and story?

"End of Watch," I felt was a very powerful examination of the LAPD and violence. "Compliance," was...I don't even know what the hell it was. It was way outside the studio system, but I was impressed at how it was told with clarity and simplicity even though it was about complex themes.

"The Call" was a genre film, but it was really very well made and it echoes back to "Psycho" in many ways. There are still good films being made like "Silver Linings Playbook" and "Zero Dark Thirty," but I have to really reach down.

Source: http://news.yahoo.com/director-william-friedkin-clashes-pacino-hackman-why-atheist-204009723.html

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Friday, April 12, 2013

Legacy of Tiller?s Murder: Anti-Choice Terrorists Threaten Staff at Wichita Clinic (Balloon Juice)

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Dropbox update adds improved photo viewing, support for six languages

Dropbox

Every Dropbox photo can now be viewed in one place

More improvements in the way of picture handling have been added to Dropbox for version 2.3.5. In a recent update we saw albums and photo sharing added to Dropbox; with the latest update, we now get a better way to view stored photos from within the app. All previously uploaded photos will now be displayed for easy viewing in the photos section of the picture tab.

Localization also has been improved, with Dropbox learning six new languages: Indonesian, Malay, Polish, Russian, and Traditional and Simplified Chinese. The change log of v2.3.5 also boasts "tons of performance improvements."

The update is live right now in the Play Store for Dropbox users. Hit the link above to install or update.

    


Source: http://feedproxy.google.com/~r/androidcentral/~3/LpJz0TsKNts/story01.htm

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Thursday, April 11, 2013

At least 15 hurt in stabbing spree on Texas college campus, authorities say

As many as 14 people were hurt and two are in critical condition after calls flooded into 911 with reports of multiple people stabbed. NBC's Janet Shamlian reports.

By Erin McClam, Staff Writer, NBC News

At least 14 people were hurt Tuesday in a stabbing spree at a Texas community college apparently carried out by a student, authorities said. Sheriff?s officials said the suspect was in custody.

At least two victims were in critical condition. It was not immediately clear how severe the other injuries were. The stabbing happened at the CyFair campus of Lone Star College, in the Houston suburb of Cypress.

Johnny Hanson / Houston Chronicle

Life Flight personnel rush a stabbing victim off a helicopter at a Houston hospital after a stabbing spree Tuesday near Lone Star College in Cypress, Texas.

The school said the attack happened ?in and around? its health science building. Harris County Sheriff Adrian Garcia said that authorities were not certain what the weapon or motive was. He said the suspect was 21 years old.

Memorial Hermann Texas Trauma Institute said it had two patients in critical condition and six in all, including four flown there by helicopter.?Three patients were upgraded to good condition Tuesday evening?and one had been discharged.

A spokeswoman for another hospital, North Cypress Medical Center, said it had taken six stabbing victims who were in stable condition.

Two other victims were treated at the scene and declined to be taken to the hospital, the sheriff said.

The school closed for the day and ordered students to find shelter somewhere safe. Campus police caught the suspect, the Harris County Sheriff?s Office said. The school planned to open Wednesday.

The stabbing happened just after 11 a.m., a college official said. The school had warned students that a second suspect might be at large, but sheriff?s officials said later that they believed they had the only suspect in custody.

In January, three people were shot at a separate campus of the same college. A federal official said that those shootings appeared to be gang-related. A 22-year-old man was charged with aggravated assault.

The Lone Star system of colleges has 90,000 students in all.

This is a breaking news story. Check back for updates.

This story was originally published on

Source: http://feeds.nbcnews.com/c/35002/f/653381/s/2a85b6c2/l/0Lusnews0Bnbcnews0N0C0Inews0C20A130C0A40C0A90C176730A570Eat0Eleast0E150Ehurt0Ein0Estabbing0Espree0Eon0Etexas0Ecollege0Ecampus0Eauthorities0Esay0Dlite/story01.htm

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Wednesday, April 10, 2013

Kerry upbeat after 3 days of Mideast diplomacy






Essential News from The Associated Press








? ?Associated Press. All Rights Reserved.

Source: http://hosted2.ap.org/APDEFAULT/3d281c11a96b4ad082fe88aa0db04305/Article_2013-04-09-Kerry-Mideast/id-3816d1450a624d1f91c82833aab4401e

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Heat tie team mark with 61st win, top Bucks 94-83

MIAMI (AP) ? Dwyane Wade was hurt, Chris Bosh was sick, the Miami Heat missed 15 consecutive 3-point attempts and allowed the Milwaukee Bucks to score 22 points off turnovers.

And the Heat won handily anyway.

So if this was a potential first-round Eastern Conference playoff preview, the Bucks probably didn't enjoy much of what they saw on Tuesday night. LeBron James scored 28 points in 30 minutes, Udonis Haslem had his first double-double of the season and the Heat moved a step closer to wrapping up home-court advantage throughout the NBA playoffs by topping the Bucks 94-83.

The Heat tied a franchise single-season record by winning for the 61st time, getting there with five games remaining. Miami needs only one more win or one San Antonio loss to clinch the top overall seed for the entirety of the playoffs. The defending champions (61-16) clinched the top seed in the East long ago, and will more than likely see the Bucks (37-40) when the postseason starts in about a week and a half.

Norris Cole and Ray Allen each scored 11 for the Heat, and Haslem finished with 10 points and 15 rebounds. Wade missed his fifth straight game and seventh in the past nine while dealing with ankle and knee issues, and Bosh sat out his second straight contest, though this time it was flu-like symptoms that left him sidelined, not the sore knee that kept him from participating in Saturday's game against Philadelphia.

Bosh is not expected to accompany Miami for its trip to play in Washington on Wednesday. Wade is traveling with the club, and will be evaluated on Wednesday before the Heat make any determinations on the rotation for the matchup against the Wizards.

James' highlight of the night came early. Off a turnover, he took a pass from Mario Chalmers, thought about getting the ball to Mike Miller but wound up throwing a pass off the backboard to himself ? finishing the play with a dunk that had a half-dozen Heat players leap off the bench in unison and crane their necks toward the scoreboard to see the replay.

James finished 11 for 16 from the floor, with seven rebounds and seven assists.

Miami outrebounded Milwaukee 49-37, and held the Bucks to 37 points after halftime. The Heat lead was only 47-46 at the break, and Jennings opened the second half with a basket to give Milwaukee a one-point lead.

It was also Milwaukee's last lead.

The rest of the third quarter was a 24-11 Miami burst, one where they even made a 3-pointer after going more than two full quarters without connecting from beyond the arc. Mike Miller made one on the team's third attempt of the night, about 2 minutes after tipoff, and the Heat ? the league's second-best 3-point shooting team this season entering the game ? went on to miss their next 15 tries from long range.

When Shane Battier finally made one from the right corner with 7:03 left in the third, he pumped his fist toward the crowd in faux excitement, and James couldn't contain his laughter.

That's also about the time the Heat started to pull away.

James Jones made a 3-pointer to push Miami's lead to 71-59 entering the fourth, and the margin grew to 18 on another 3 from a most unlikely candidate. Chris Andersen ? the reserve forward whose last successful 3-point try was in 2009 ? connected early in the fourth, the lead was 84-66 and fans soon started heading for the exits.

Other than Jennings, no other Bucks player reached double figures. Jennings shot 10 for 16, while his teammates combined to shoot 23 for 59.

NOTES: Battier jumped center to open the game and actually won the tip. ... James said after the morning shootaround practice that he intends to take some games off before the playoffs, presumably after Miami wraps up the No. 1 overall seed. ... The Bucks went 1-3 against the Heat this season. ... Jennings got a technical foul late in the first quarter for shoving Andersen after a hard screen. They slapped hands after the play.

Source: http://news.yahoo.com/heat-tie-team-mark-61st-win-top-bucks-015546554--spt.html

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